Geweest

  • Geweest
    Di 8 feb 2011 ⋅ 20:00

Paco Pena
Gitaargrootmeester met flamencogezelschap

Uit de pers

Burning Rhythm and raw spirit    * * * *
‘…splendid are the music ians and the dancers Charo Espino, Angel Muñoz  and Ramón Martínez. The Venezuelans offer the delicious sonorities of mandolin and cuatro, proposing flamenco that owes something to Africa in dazzling percussion effects. A stimulating evening, and beguiling.‘            
FINANCIAL TIMES, London  

Fiery fusion is kindled by the flame of genieus    * * * * *
‘As the show progresses through exquisite solos, ensembles and duets…the elements fuse before our very eyes and ears.…the push-me-pull-you crossover continues through a free-spirited battle of music al wills to climax in a concussive orgy of music and dance that threatens to blow the roof off the auditorium. A fantastic night.’ 
DAILY EXPRESS, London  

‘Dance and music -making this good are rare.’   * * * *
THE TIMES, London  

‘Opening with a signature guitar solo the audience was left in no doubt that they were in the presence of greatness - to say nothing of the supporting music ians or the dancers!The balance between music and movement in Flamenco sin Fronteras must be applauded.  The draw when watching a master music ian, just as with a dancer, was spell binding.  Both elements combined in the riff throwing, footwork exchanging improvisation which drew the electric performance to a close.’
LONDONDANCE.COM 

‘…it is hard to believe that there are just three dancers in Peña ' s troupe. The taut, rigorous patterning of Ramón Martínez and the flamboyance of Angel Muñoz cover the gamut of male flamenco, while Charo Espino can distil a whole dance tradition through the eloquence of her hands. As for Peña, there is surely no other guitarist with his range – a master of limpid classical lyricism who can also open up raw wounds of emotion.’
The GUARDIAN, London

Paco Peña, gitarist van wereldklasse, neemt voor Flamenco sin fronteras de beste flamencodansers, -zangers en -muzikanten uit Spanje en Latijns-Amerika mee. Peña weet als geen ander de traditionele flamenco met nieuwe ideeën tot een harmonieus geheel te smeden. Dit keer heeft hij zich laten inspireren door de ontmoeting van de Spaanse kolonisten met het Latijns-Amerika van het begin van de twintigste eeuw. Het wordt een opwindende muzikale ontdekkingsreis, doordrongen van intensiteit, diepte en rauwe energie – de handelsmerken van Peña.

Peña heeft een speciale band met Rotterdam omdat hij professor in Flamencogitaar is aan het Conservatorium.

Uit de pers

Burning Rhythm and raw spirit    * * * *
‘…splendid are the music ians and the dancers Charo Espino, Angel Muñoz  and Ramón Martínez. The Venezuelans offer the delicious sonorities of mandolin and cuatro, proposing flamenco that owes something to Africa in dazzling percussion effects. A stimulating evening, and beguiling.‘            
FINANCIAL TIMES, London  

Fiery fusion is kindled by the flame of genieus    * * * * *
‘As the show progresses through exquisite solos, ensembles and duets…the elements fuse before our very eyes and ears.…the push-me-pull-you crossover continues through a free-spirited battle of music al wills to climax in a concussive orgy of music and dance that threatens to blow the roof off the auditorium. A fantastic night.’ 
DAILY EXPRESS, London  

‘Dance and music -making this good are rare.’   * * * *
THE TIMES, London  

‘Opening with a signature guitar solo the audience was left in no doubt that they were in the presence of greatness - to say nothing of the supporting music ians or the dancers!The balance between music and movement in Flamenco sin Fronteras must be applauded.  The draw when watching a master music ian, just as with a dancer, was spell binding.  Both elements combined in the riff throwing, footwork exchanging improvisation which drew the electric performance to a close.’
LONDONDANCE.COM 

‘…it is hard to believe that there are just three dancers in Peña ' s troupe. The taut, rigorous patterning of Ramón Martínez and the flamboyance of Angel Muñoz cover the gamut of male flamenco, while Charo Espino can distil a whole dance tradition through the eloquence of her hands. As for Peña, there is surely no other guitarist with his range – a master of limpid classical lyricism who can also open up raw wounds of emotion.’
The GUARDIAN, London

Kalender

Februari 2011
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